. . . how very old the Old Religion is. It is far older than the "religions of the Book." Far older than the concept of a devil or a personified evil. It is older than the Stone Circles of Europe. Older than Britain's rivers. Older than the Court of Don and the Children of Danu. Older than Hecate. Older than Isis and Osiris. Older than An and Ki. Older than the Vedas. Older, in fact, than the Great Flood told in stories around the whole world. Older than the last Ice Age. I am a Witch, so I mean these things in a religious, spiritual, symbolic sense, not in an academic or strictly historical sense. If you are seeking the Old Religion, it is helpful to get into the spirit of what I am trying to convey.

"The gods of the witches are the oldest gods of all. They are the same as those divinities that were real to the men of the Old Stone Age, who painted them upon the walls of their sacred caves. Churchmen and other writers who denounced witchcraft and the witches' heathenish practices, have described in their books two deities whom, they say, the witches worshipped in place of the Christian god. These are a horned figure, part human and part beast, who sat enthroned at the Sabbats, dimly lighted by the flames of the ritual bonfire, while the witches danced around him; also, by his side, a beautiful naked girl, who was regarded as the Queen of the Sabbat, probably because she represented and impersonated Diana, the goddess of the moon, or her daughter Aradia. Both of these central figures of the worship who were actually human beings, masked in the case of the horned god­ figure, sometimes led the wild and orgiastic dances at certain stated and traditional times of the year, seasonal festivals which were so old that no one could remember the beginning of them. Such are the central features of the witches' worship, attested to by in­numerable hostile witnesses. Both of these divinities, the horned god and the naked goddess, can be found among the cave paintings and carvings of our pre­historic ancestors in Western Europe."
-- Doreen Valiente, The Old Gods, Chapter 1, Witchcraft for Tomorrow

When the Masters of Wisdom gathered together to create the Tarot, it was easy to determine which symbols would represent the earliest human religious impulses. You can see it for yourself, if you know how to read the Tarot. The first two cards of the Major Arcana are, together, the Horned God. The next two cards of the Major Arcana are, together, the Great Goddess. It is only the fifth Major Arcana card, The Emperor, that begins the Zodiac cards, with Aries. Before we knew the patterns of the Heavens, we knew ourselves, and knew that we were shaped in the image of something greater.

*** Blessed be to those who serve the Great Mother and the Horned Father.

* Copyright to Coven Rochester
If you find Witches and Magicians old enough, they will have stories for you of times when the Gods were seen on Earth recently, either as part of a magical ceremony, or otherwise. These accounts are common in Native American, Norse, Greek, Welsh, Irish, and Brythonic traditions. It is also present in the Christian tradition, but less talked about, and the people encountered are Saints, not Gods.

Here is an account from just after WWII.

After the Allies declared victory in WWII, one can imagine the relief of Allied troops all over the world. There was still the matter and logistics of getting all of them home, though. One troop of British soldiers had been stationed on the Argolis peninsula of Greece, and their commander directed them to form an encampment in the fields and green spaces near some ancient ruins until their transportation out of Greece could be arranged:




And so they encamped. Many soldiers had restless nights and fitful sleep. A few spoke together and found that they were having the same recurring dream or vision every night. They called a general meeting of the whole troop, and it was discovered that many more of the soldiers were also having the same experience. The troop elected representatives to go to the commander to request that the whole unit be moved because they believed that the area was haunted. The recurring dream or vision involved seeing an old, bearded man dressed in a simple robe walking through the encampment, aided in his walking by a staff that had a serpent wrapped around it.




Unbeknownst to the soldiers and the commander, the ruins by which the unit had encamped had been an ancient temple of Asklepias, the divine power in charge of healing, and a son of Apollo in mythology. These ancient temples of Asklepias, about 300 of them, were located all over the Mediterranean region, and were essentially healing centers and hospitals, for the general populace, but particularly for war veterans. It was in such centers that Greek theater first emerged, with dramatic presentations helping war veterans to overcome what we would today call post-traumatic stress disorder. The three great ancient Greek tragedians – Euripides, Sophocles, Aeschylus – were all war veterans, and all of them explored in their plays the theme of the evils of war. It was thought that the communal experience of watching such plays (amongst many other healing techniques, such as massage, herbal medicine, and music therapy) served to have a cathartic effect on war veterans, helping to purge them of PTSD. Inspired by ancient models, modern psychologists since WWII have been engaged in research along these lines.

So, did Asklepias walk the Earth at the end of WWII? Amongst a troop of exhausted soldiers, some wounded, at the doorstep of his temple?

You bet he did.

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